This documentary shows how cinema has been used very differently in three neighbouring African countries with different colonial heritages: Zimbabwe, Mozambique and Madagascar. Mozambique used cinema newsreels as a crucial propaganda tool after the Portugese colonisers left. Madagascar boycotted US movies, so its screens were dominated by French, Indian and Hong Kong films instead. But a few films managed to get made. The situation in Zimbabwe was the worst, except that alone of the three countries it possessed an efficient film laboratory.

Interviews and performances with black women on film, theater and television who narrate their lives, careers, discrimination and struggles in the Brazilian artistic world. Starring actresses Zezé Motta, Ruth de Souza, Léa Garcia, Zenaide Zen and Adele Fátima, as well as activist Lélia Gonzáles.

A primatologist and his team free a group of black-crested macaques. Somewhere between eco-politics, speculative primatology and ritual performances, this furiously playful film questions the humanist truths that underpin our relationship with non-humans. [FR] Un primatologue et son équipe libèrent un groupe de macaques à crête noire. Entre éco-politique, primatologie spéculative et performances rituelles, ce film furieusement joueur questionne les vérités humanistes qui fondent nos rapports aux non-humains.

A collection of Family Trip themed episodes from across the Bluey series, showing in cinemas this summer. It includes fan-favourite episodes: Movies, Road Trip, The Beach, Backpackers, Hotel, Swim School, Obstacle Course, and Camping across all 3 seasons

Humans hunt for baby apes. But things are not always done properly when chimpanzees and orangutans are acquired for zoos or shows. And even the endangered bonobos are no exception.

The drunken stork loses the baby ape for Mr. and Mrs. Elvis Ape, so knocks out Bugs Bunny and delivers him instead.

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A report from the set of the movie "To Love a Man" directed by S. A. Gerasimov.

Bryan Callen records his third special in Chicago’s historic Thalia Hall and reconsiders our debate on all things equality. He rails against our tendencies to turn each other into nouns like black, white, immigrant, Muslim, gay, straight, man, woman, and instead suggests that the best way to navigate our current culture war is to think of our fellow humans not as a fixed label, but as verbs.